Devices.

wait

 

a train passes

quietly whistles

whispers past

 

wait

in silence latent

 

another train passes

faster

 

wait

in mounting silence

with its beauty

latent

 

silent

gone

 

wait

in stillness

with its silent beauty potent

fragrant stillness

idly still

wait

 

and another train passes

and silence once broken

creaks achingly

shrieks

the ugly shriek of morning cockatoos

strewing seeds from the gum-tops

fretfully

shrieking

swooping wide white wings low over streets

with anxious shrieking

and shaking

as another train passes

rumbles

and another train

grumbles

sweeping silver streak

shrieking

creaking on the tracks

rumbles underground

the city groans

achingly

shrieks

the city groans

anxiously

speaks

in silent ugly words

scattered like seed by the morning cockatoos

Trains of Thought.

as another train passes outside

its rumbling vibrates the floor

pouring its energy

into my feet

into my spine

 

whispers

the city breathes

 

as another train passes outside

pouring the sorrowful

onto the streets

rumbles

pouring its energy

into my feet

into my spine

 

and in the city’s breathless silence

the craw of a crow

the ugly morning shriek of cockatoos

soaring

from the tall gums that line the tracks

mast and sails (the shops are ships)

as another train passes outside

 

whispers

into my feet

into my spine

 

as another train passes outside

echoes long down the cutting

carries ghosts of memory

flitting past

past

past

 

as another train passes outside

and thoughts are scattered

like wildflower seeds

and another train passes

diffused

like the broken ripple of water

after a ship has passed through

glinting in the sunlight

 

as another train passes outside

and light rain-drops titter at the windows

chuckling at the tipsy-pink rose glass

 

and the rain falls more steadily now

drenching

grows louder

not patter but pour

and a train passes

muffled

whispers

the city weeps

sweeps the dirt from its gutters

runs rivers

ripples down the rose-glass window panes

and a train passes

rumbles

and groans

the city grumbles

and shrieks the ugly shriek of morning cockatoos

and another train passes

whispers

the city breathes

 

once lulled

now lush

the rain sweeps across the rooftops

runs rivers

down the drain-pipes

tips tips tips

drips

down the chimney-pots

where there’s no wood-smoke

on a wednesday

I’m Fixing This One.

Because imagine

Imagine a world in which that was enough

Because I had enough

Elsewhere

And if that were enough

I wouldn’t need any more.

 

But there are as many worlds as mirrors.

 

Imagine a world —

a different glimmer of the disco-ball

a flicker of glass away from here, a crack

a hair’s breadth.

A moment.

Imagine a world —

Imagine a —

Lost.

The moment, lost.

Lost with its beauty, latent, potent, gone.

Laden, then lost

at sea.

As ships upon the sea.

 

As many words as ships upon the sea.

 

Sailor, spy.

A sailor’s spyglass at sea.

Scattered.

The child of free education and no war, a working-man’s grandchild, trussed up in an expensive education and still no war and you choose not to eat and you call yourself oppressed. Are we not always oppressed? Is that not the essence of the human condition — some eternal struggle against the next odds? From hunt and gather to the roller-coaster of capitalism, a train of twists and turns, myths of gold and myths of oil and handshakes and photographs in suits (such are promises), rattling across the globe, faster, faster, faster, faster, flashing faster than the we of the world can possibly see until the train has long passed through and the lessons of history are too slow — too slow, too slow — to catch the crackle of the present as it breaks. And we have all been spread — scattered, like seed — across the earth, human capital shifted in great waves of migration and tireless trickles of restless endless voyaging. Shifted on the waves, on slave-ships and convict-ships and passenger ships and aeroplanes, shifted and drifted, distant, and diffused. Scattered, like seed, wildflowers across the earth, with our beauty — latent, potent, laden, gone — and our memory — latent, potent, laden, gone — and our books. And the web of the spider spins around us, silently, slowly, weaving its soft silver sinews, miles and miles of twists, of cables, woven not from silk but fibre-optics, underground and under seas, great clusters of neurons shooting across the globe so that mother in Taiwan sees her child in Atlanta and all the gripping webs around the globe grow tighter and the silk knots we seek to loosen only distract us from the tighter tightening ever-tighter grip and the bright lights dazzle our senses. We are scattered — ashes on the wind, like seed — wildflowers across the earth, clinging to soil like weeds in the cracks of the pavements and the walls and the concrete and the shards of metal and glass we call homes. We flower and fluster and die — ashes on the wind, more dust on the city streets. More earth to turn and seeds — newly scattered, ashes, fed pesticides and painkillers — left to flower and fluster and die.